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Like, I never understood how people ended up in movies. I was in some ways so close to the industry, and yet so far. TESSA THOMPSON I grew up in Los Angeles - my dad is a musician - and we lived in a studio on Yucca and Ivar, so the Hollywood Walk of Fame was like my front yard. I never really had a moment of, “I’m going to give it all up.” I think that’s a great thing, because I never had parents who were like, “You need to be a doctor!” It was just kind of like, “Whatever you want to do, go for it.” When I was in high school, I dreamed about being in the Oregon Shakespeare Festival, working in the repertory company, so this is beyond! As long as I could pay my rent and had food, I was happy. JESSICA CHASTAIN No, because I grew up very poor. What, for each of you, was the moment when this seemed furthest away? And did you ever consider not continuing down this path? Meanwhile, many tuning in to this conversation dream of a moment like this but feel it’s very far away.
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Karaoke jennifer hudson giving myself professional#
We are sitting down at a time when you’re each receiving widespread acclaim for your work, a time that must feel like a professional high point for each of you. “How do you define success? Your grandparents are alive,” she says with a wry laugh. As Dunst put it, after nearly two years of living and working in a pandemic, it is a time to be appreciative of things more important than movies. Lady Gaga to Receive Icon Award During Palm Springs International Film FestivalĪt the gathering, old friends Stewart and Dunst embraced while everyone exuded gladness to be communing in person. “Welcome to the industry!” joked Jessica Chastain and Kristen Stewart to their younger cohort Emilia Jones as this year’s six participants on The Hollywood Reporter’s Actress Roundtable commiserated about overlooked labors of love (“Is anybody ever going to watch it?”), the degree to which fear drives their decisions ( Jennifer Hudson and Kirsten Dunst say no, Tessa Thompson and Stewart say no longer) and navigating COVID-19 to give some of the year’s most acclaimed performances.Ĭonvening at THR‘s headquarters in late October were: Chastain, star and producer of Michael Showalter’s The Eyes of Tammy Faye, in which she resurrects the infamous televangelist Tammy Faye Bakker Dunst, who brings to life a 1920s remarried mother tormented by her brother-in-law in Jane Campion’s The Power of the Dog Hudson, who channels Aretha Franklin in Liesl Tommy’s biopic Respect Jones, who portrays a hearing child of deaf parents in Sian Heder’s CODA Stewart, who inhabits Princess Diana in Pablo Larraín’s Spencer and Thompson, who plays a 1920s Harlem housewife reconnecting with an old friend passing as white in Rebecca Hall’s Passing.